“That new Melvins song is really catchy!”

 

 

 

 

 

 

 

The albums with Danzig?  Love ’em!

 

 

 

 

 

 

 

 

The albums with Graves?  Love ’em!

 

 

 

 

 

 

 

 

The albums with Jerry?  Love ’em!

 

My point?  If you’re looking for some Halloween mood music, you could do a whole lot worse.

I assume it’s only a matter of time before the Internet Police deal with Grooveshark in some way, but until then:

Also, why did no one tell me that the Misfits remained awesome after Danzig left?  Did everyobdy else know this?  Why am I just finding out?

Step One: Write songs with titles like “Coachman, Ride On,” “Hereditary Insanity,” and “Come Hither, Fair Youth.”

Step Two: Put them on an album called Revenge for Imaginary Slights.

Step Three: Dress like this.

Easy peasy.

I’ve long believed that the music you listen to says a whole lot about the kind of person you are.  That being said, here are my ten most-played songs, as recorded by the all-seeing eye of my iPod.

“Ouija Me,” by Communique, from Poison Arrows
“Egoverride,” by Bob Mould, from Bob Mould
“Stifled Man Casino,” by Airport 5, from Tower In the Fountain of Sparks
“Terms Of Psychic Warfare,” by Husker Du, from The Living End
“What’s The Frequency, Kenneth?” by R.E.M., from Monster
“20th Century Boy,” by Placebo, from the Velvet Goldmine soundtrack
“The Best Lies,” by Communique, from Poison Arrows
“Backstabber,” by The Dresden Dolls, live at the Iron Horse, Northampton, MA, December 12, 2003
“All My Ghosts,” by Frank Black, from Frank Black And The Catholics
“Paralyzed,” by Bob Mould, from Body of Song

You’ll notice the near-complete absence of all the artists I claimed as my favorites back on the “about me” page.  Make of that what you will.